In early spring a book arrived that I had been eagerly anticipating. Atomic Masquerade by Clara Etherin did not disappoint. Witty, exuberant, layered and innovative, this visual poetry collection is full of delights, from brooding palimpsest portrayals of Dracula and Frankenstein to the vivid pair of asemic sonnets “Heaven & Hell” – written in collaboration with AI – with which the book concludes.
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Love for the art form: An Interview with Satya Bosman and Catherine Balaq of Black Cat Press
Based in southeast England, Black Cat Press was founded in 2022 by Satya Bosman. In the space of a little over two years, the press has established a reputation for publishing exquisitely produced collections by talented emerging writers, with an emphasis on nature and eco-poetry. I had the pleasure of speaking to Satya and her co-editor Catherine Balaq about the joys and challenges of independent poetry publishing, their own poetry, and forthcoming projects.
Continue reading“Twelve writers writing” – My Twelve Books of Christmas 2023
There is something delightfully wacky about the familiar Christmas carol The Twelve Days of Christmas. From its opening gift of a partridge in a pear tree to the concluding twelve drummers drumming, the lyrics have a pleasingly cumulative effect. It’s a fun counting song for children, but there’s also a great deal going on poetically – surprising images, interesting juxtapositions, alliteration, assonance, half-rhyme, structural repetitions, and clever metrical variations.
Continue readingVisual poetry with teeth: An Interview with James Knight of Steel Incisors
Described by Astra Papachristodoulou as “one of the most exciting voices in visual poetry today”, James Knight is an experimental poet, artist, performer and the founding editor of Steel Incisors Press. I’ve long been an admirer of his work, so was delighted when James agreed to an interview with me. We discussed contemporary visual poetry, the projects he’s currently working on, and what the future holds for Steel Incisors.
Continue readingAnything could happen – An Interview with Dan Power of Trickhouse Press
Last year I had the pleasure of writing a blurb for Machinations, the brilliant exploration of Alan Turing’s life and creativity by JP Seabright and Kinneson Lalor. The book is published by Trickhouse Press, an imprint I hadn’t come across until then. Founded in 2020 by Dan Power, Trickhouse Press has an exuberant energy and sense of adventure that is reflected in the variety of its catalogue. As part of my on-going series of editor interviews, I spoke to Dan about the press and his own poetry.
Continue readingThe thingness of language – An Interview with Richard Capener of Hem Press
Based in Birmingham, England, Hem Press is a small independent publisher with a diverse catalogue that includes visual poetry, experimental memoir, narrative verse and radical translation. As part of my on-going series of editor interviews I spoke to Richard Capener, who founded Hem Press in 2022.
Continue reading‘Everyone is invited’ – An Interview with Anthony Etherin of Penteract Press
Readers of formal and constrained poetry will, like me, have been saddened by Penteract Press’s recent announcement that it will cease publishing new titles after 2024. As part of my on-going series of interviews with editors of small independent presses, I spoke to Penteract’s editor Anthony Etherin about the press, its ethos, and the reasons behind the decision to close. Anthony also shares two poems from his new collection The Robots of Babylon, which will be published on the 21st of October and is now available for pre-order.
Continue readingWhat poetry do we as poets read?
Last month Tesserae: A mosaic of poems by Zimbabwean women, was released into the world. Working on this book with Samantha Vazhure, founder and editor of Carnelian Heart Publishing, and the wonderful poets whose voices are featured within its pages, has been an immensely rewarding experience.
Continue readingPoem by Poem: An interview with Annick Yerem, Editor at Sídhe Press
At a time when many small poetry presses are going on indefinite hiatus or closing down altogether, it’s heartening to welcome a relative newcomer to the field. Sídhe Press published its first book in February of this year – Our Own Coordinates, an anthology of poems about dementia that is profound, tender, unflinching and courageous. This has been followed by Sarah Connor’s fine collection The Crow Gods and a second anthology, Glisk and Glimmer, on the theme of Light. Annick Yerem, the Editor-in-Chief of Sídhe Press, is a gifted poet in her own right, whose work has been widely published both online and in print. Annick’s chapbook, St Eisenberg and the Sunshine Bus, was published in 2022 by Hedgehog Press. I was delighted when she agreed to an interview with me.
Continue reading2022: End of year reflections
There has been a great deal of flustered fluttering on Twitter (now known as X) in recent weeks, as regular users have become concerned for the platform’s viability. Change is always tricky to deal with. Amid expressions of nervousness, uncertainty for the future, defiance, outrage etc, it’s also become clear how significant the micro-blogging site has been to the poetry community – as an online meeting place where we can form new friendships, discover new journals, explore unfamiliar poetic forms, become reacquainted with old favourites, market our own work and celebrate the work of others.
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