I was fortunate, when studying English Literature at A-Level, to have an inspirational teacher. Lynne Ruscoe was only a few years older than we were, full of energy and enthusiasm, with an engaging smile and a lively sense of humour. We read Chaucer and John Donne, John Keats and Gerald Manley Hopkins, Jane Austen and Thomas Hardy, and – of course – Shakespeare. Hamlet was one of our set texts and I vividly remember the emotional impact the play had on me, especially these lines from Hamlet’s ‘To be or not to be’ soliloquy:
Continue readingAuthor Archives: Marian Christie
The constrained poetry of sport
My mother taught me to swim before I could walk. This was sensible. We had a swimming pool in the garden, unfenced of course, a sun-glittered temptation to a small child crawling over spiky grass on a hot day.
Swimming, tennis, netball, rowing, squash… sport has always been a part of my life. It taught me to play by the rules, absorb the pressures of competition, survive the grim lessons of humiliation and defeat. Through practice and repetition I gradually developed muscle memory, so that movement and coordination became ever more instinctive. I learned to relish the sheer joy of cleaving through water like a dolphin, the exhilaration of a hard-fought squash match, the triumphant exhaustion of pushing my body to its limits.
Continue readingOn the River – a Fibonacci poem
This poem is inspired by my memories of rowing in a four as a schoolgirl and undergraduate. The ‘ripples’ at the end of each oar are three-line Fibonacci poems by syllable count (1, 1 and 2 syllables) with the additional constraint that the number of letters per line are also successive Fibonacci numbers (3, 5 and 8 letters respectively).
Pi Scrabblegram
I created this Scrabblegram to mark Pi Day (March 14th). In addition to the normal constraints of a Scrabblegram, I chose the blanks to be p and i, which made it even harder! But fun!
Continue readingLove for the art form: An Interview with Satya Bosman and Catherine Balaq of Black Cat Press
Based in southeast England, Black Cat Press was founded in 2022 by Satya Bosman. In the space of a little over two years, the press has established a reputation for publishing exquisitely produced collections by talented emerging writers, with an emphasis on nature and eco-poetry. I had the pleasure of speaking to Satya and her co-editor Catherine Balaq about the joys and challenges of independent poetry publishing, their own poetry, and forthcoming projects.
Continue readingAudience as Constraint
When I write poetry, for whom am I writing? Who is my intended audience?
This is a question I have only recently started asking myself. Perhaps it is different for novelists, or storywriters, or memoirists. Perhaps it is different if you seek to earn a living from your writing; but my answer, at least until a few weeks ago, would have been in the first instance I write for myself. I need to translate thoughts, feelings, memories, impressions, imaginings, experiences, observations, into words and structures, driven partly, I think, by a compulsion to generate some sort of order and meaning out of chaos and confusion.
It continues to be a pleasant surprise when others read my poetry and relate to it in some way. My prime motivation for writing, however, is not a desire to be read.
Continue readingOf Sky and Earth and Other Things
In our corner of southeast England, we were treated last week to a spectacular display of nacreous clouds. I had occasionally observed nacreous clouds during the years I lived in Aberdeen in Scotland, but this was the first time I’ve seen them so far south. Their iridescence provided a glow of joy in what has been a bleak time.
Continue reading“Twelve writers writing” – My Twelve Books of Christmas 2023
There is something delightfully wacky about the familiar Christmas carol The Twelve Days of Christmas. From its opening gift of a partridge in a pear tree to the concluding twelve drummers drumming, the lyrics have a pleasingly cumulative effect. It’s a fun counting song for children, but there’s also a great deal going on poetically – surprising images, interesting juxtapositions, alliteration, assonance, half-rhyme, structural repetitions, and clever metrical variations.
Continue readingStep into an adventure: An Interview with Katy Naylor of the Voidspace
Two years ago an exciting new online journal made its appearance on the literary scene. Uniquely, the voidspace focuses on interactive arts: the website itself is an invitation to dive in and explore through a series of alluring portals. I spoke to founding editor Katy Naylor about the voidspace, her sources of creative inspiration, her poetry, and her plans to set up a new press.
Continue readingVisual poetry with teeth: An Interview with James Knight of Steel Incisors
Described by Astra Papachristodoulou as “one of the most exciting voices in visual poetry today”, James Knight is an experimental poet, artist, performer and the founding editor of Steel Incisors Press. I’ve long been an admirer of his work, so was delighted when James agreed to an interview with me. We discussed contemporary visual poetry, the projects he’s currently working on, and what the future holds for Steel Incisors.
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